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Culturally Planning Destination Weddings – Travel Dudes

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The hidden story of how weddings have always moved.

There’s a belief that destination weddings are new. A trend. A modern invention born from Instagram and international flight deals. But that’s not the full story.

Long before planes, when travel meant horses, caravans, or ships, people left home to marry. They crossed mountains, borders, and deserts not for luxury… but for love, alliance, survival, or belonging.

In 12th-century China, brides were sent to other dynasties, sometimes days away by river or cart.

In India, wedding processions (baraats) would travel from one village to another for days, carrying songs, gifts, and stories.

Even in rural Europe, the “wedding away from home” wasn’t a luxury—it was the default when love or family traditions demanded it.

Weddings have always traveled. So, planning destination weddings is nothing new.

But in the 20th century, as cities expanded and phones entered every household, weddings slowly became more localized. No one needed to travel by train anymore—they could marry in their neighborhood church or hotel ballroom. Love had a zip code.

Related read: Top Reasons to Wed in Thailand’s Paradise

And Then the World Opened Again

Once travel became accessible, the heart started to wander. Cheap flights. Honeymoon packages. Cultural curiosity. Suddenly, you could get married and take your family on a journey.

And then came COVID.

For a moment, the world stopped. Weddings paused. Borders closed. Love had to wait. And when it returned, it came back with new eyes.

Couples no longer wanted chandeliers. They wanted sunlight, waterfalls, wind, and temples. They wanted meaning, setting, and stories that could only exist outside a ballroom.

They wanted the world to be present—not just the guests.

People have always traveled for weddings.
People have always traveled for weddings.

We Don’t Just Carry Luggage. We Carry Traditions.

In today’s world, weddings are more global than ever.

  • An Indian groom raised in Sydney marries a Thai bride raised in London. Their college friends live in Toronto, Dubai, and Tokyo. Their parents are in two different time zones. Where should they marry? Anywhere—and nowhere—feels like home.

That’s why destination weddings are booming. Because when the family is everywhere, the only way to bring them together is somewhere new. A place that becomes a meeting point of memories, heritage, and future.

And through all of this, something sacred survives:

Tradition.

The bride still wears the red sari. The father still blesses the couple in Arabic. The grandmother still brings sweets wrapped in foil and whispers prayers in silence.

Even if the wedding is on a cliff in Greece, a forest in Bali, or a villa in Phuket—the soul of tradition travels.

It always has. It always will.

Here’s an overview:

Maintaining tradition at weddings is as important as ever.
Maintaining tradition at weddings is as important as ever.

The Secret History of Destination Weddings

The idea of getting married far from home may sound like a modern luxury. But in truth, weddings have always traveled. What’s changed is not the motion, but the meaning we assign to it.

Long before Instagram-worthy beach ceremonies or clifftop vows, couples were leaving their villages, towns, and cities to join their lives somewhere new.

In ancient times, marriage wasn’t about hosting a party at home—it was about building alliances, uniting families, blending identities. The wedding didn’t just celebrate love. It was a journey toward something bigger than the couple: community, legacy, and shared future.

Sometimes a family had to travel to reach the bride. Sometimes the ceremony took place in the groom’s region. Sometimes they met in between—not just geographically, but emotionally.

Even as cities developed and travel became easier, the idea of “destination” never disappeared. It simply evolved.

Related read: Painting a Wedding in Thailand: a Canvas for the Most Visual Love Stories on Earth

Traveling for a wedding remains a popular choice.
Traveling for a wedding remains a popular choice.

Weddings in Motion: Then and Now

Before every home had a telephone—roughly 40 to 50 years ago—planning a wedding at a distance meant slow, handwritten letters and word-of-mouth arrangements. It could take weeks to confirm a date. Months to coordinate details.

Still, couples made it happen. Because travel, even with its hardships, meant honoring roots, reaching across divides, or creating neutral ground.

Fast forward to today: We book flights in minutes. Share locations instantly. And gather people from five different continents into a single weekend.

But the essence remains the same:

A wedding is not bound to one place. It’s bound to purpose.

Weddings are less about where and more about why.
Weddings are less about where and more about why.

The Word “Destination” Just Caught Up

We call them “destination weddings” now, but that label is new. The emotion behind it isn’t.

  • In the past, traveling to a neighboring province by train took the same time as flying across countries today.
  • Honeymoons once meant a drive to the next town. Today, they begin in another hemisphere.
  • Guests used to travel days to attend a ceremony. Now, they hop on flights across the globe.

So this isn’t a trend. It’s a reawakening.

Couples now embrace what always existed: the right to choose a place that fits their spirit, story, and families. And that place might not be where they were born, but where they’ll belong together.

Why Modern Couples Are Choosing to Leave Home

It’s not about escaping tradition. It’s about rewriting where tradition lives.

In today’s world, choosing to marry far from home isn’t about luxury. It’s about alignment—between where you are, who you love, and what your story has become.

The modern couple is no longer bound by their birthplace or their passport. They’ve studied abroad, worked in other countries, met on international flights, and lived in cities their grandparents have never heard of.

Their wedding location isn’t rebellion—it’s reflection.

It reflects the reality of how they live: One partner was raised in Canada, the other in India. Friends are spread between Australia, London, and Dubai. Parents now live in quieter cities far from where the couple grew up. Guests have come to expect a wedding that feels more like a retreat than a routine

In this new reality, a wedding “back home” often feels like it doesn’t fully belong to either partner. It belongs to the past.

So couples look forward, not backward. And what they find is that leaving home creates neutral ground. A place with no history, no expectation. Just possibilities.

Destination weddings are ideal for couples who grew up in different countries.
Destination weddings are ideal for couples who grew up in different countries.

Migration Made This the New Normal

We live in the most interconnected generation in human history. Families are no longer clustered in one city. Parents retire abroad. Siblings study overseas. Couples come from different continents—and so do their friends.

Destination weddings aren’t about showing off. They’re about bringing people together when no single location makes sense anymore.

The destination becomes the solution, not the complication.

It says: Let’s meet where we all feel welcome. Let’s choose a place that feels like us. Let’s make this the starting point of our shared story—not the final echo of our separate ones

We live in the most interconnected generation in human history.
We live in the most interconnected generation in human history.

Emotional Geography > Physical Geography

Couples today don’t just choose a country. They choose a feeling: The calm of the sea. The beauty of a mountain at sunset. The silence of a temple garden. The freedom of standing on unfamiliar land, knowing this is where your new life begins

Some choose places they’ve visited as travelers. Others choose countries they’ve never seen—but always dreamed about. Some go to where their love story began. Others go where they want it to begin.

It’s not about leaving something behind. It’s about bringing everything forward—into a new space that holds everyone, everything, and every emotion that matters.

A destination wedding is like a brand new start in your love story.
A destination wedding is like a brand new start in your love story.

The Guests: Why a Wedding Is Never Just About the Couple

You’re not just inviting people to a place. You’re inviting them into a story.

In the age of curated Instagram moments and drone-shot ceremonies, it’s easy to forget something vital:

A wedding isn’t just two people marrying each other. It’s dozens, sometimes hundreds, of people saying “yes” to the journey with them.

This is especially true in Indian weddings and similar cultures around the world. From the moment a child is born, the family starts dreaming of their wedding. Not as a day, but as a culmination of life’s chapters.

The wedding becomes the time where: Family bonds are restored. Elders feel honored. Younger cousins may meet future spouses. Business conversations unfold quietly over a shared drink. Grudges fade, and laughter bridges gaps. Stories are told, traditions are passed, and tears flow for reasons deeper than the vows.

This isn’t just an event. It’s a living, breathing human reunion.

Everyone comes together for a destination wedding.
Everyone comes together for a destination wedding.

Destination: Connection

What makes a destination wedding powerful isn’t the backdrop. It’s the time it gives people. In a local wedding, guests might stay for five hours. In a destination wedding, they stay for three to five days. Sometimes more.

And in those extra hours, the magic happens: Guests walk markets together and try street food. Strangers become friends over a shared boat ride or rooftop cocktail. Aunties teach someone’s partner how to wear a dupatta. Grandfathers sip tea and retell stories that were almost forgotten. Everyone’s guard drops because no one is rushing back to traffic or work

That’s what makes these weddings unforgettable. Not just the ceremony. But the space around it.

Magic happens when no one is rushing back into traffic after a wedding.
Magic happens when no one is rushing back into traffic after a wedding.

Why Wedding Guests Are the Whole Picture

Look at most wedding photos today. You’ll see the couple. The décor. The dress. The light.

But where are the people who raised you? Where are the ones who came across oceans to be there? The ones who whispered encouragement when you were unsure, or helped fund the honeymoon, or simply held your hand before you walked down the aisle?

Guests aren’t extras. They’re the frame around the art.

And in destination weddings, they become even more: Co-adventurers, co-celebrators, co-creators of memory.

There’s an old saying: You only truly know someone when you travel with them.

A destination wedding is one long, beautiful experiment in that idea.

You only truly know someone when you travel with them.
You only truly know someone when you travel with them.

Planning With the Guests in Mind Isn’t a Compromise. It’s Wisdom.

When couples plan a destination wedding, it’s easy to get caught up in visuals. But the truly powerful weddings are designed with guests’ feelings, schedules, limitations, and joys in mind.

Because every guest brings their own emotional backstory, their own expectations, and their own sacrifices to be there.

And if you give them space, time, and genuine hospitality—what you get back is priceless.

Not just applause. But gratitude. Tears. Belonging. And stories they’ll retell for years.

The people are what make destination weddings so powerful.
The people are what make destination weddings so powerful.

When Cultures Meet: Tradition as a Bridge, Not a Wall

Because your roots don’t disappear when you travel. They grow new expressions.

One of the most powerful things about destination weddings is that they happen on unfamiliar ground. And that unfamiliarity opens space for something extraordinary:

Cultural exchange.

A couple carries their rituals, their symbols, their family expectations—sometimes thousands of years in the making—into a place that may speak a different language, worship in a different way, or mark time through different holidays.

So what happens when those two worlds meet?

They don’t clash. They create.

Destination weddings enable cultural exchange to take place.
Destination weddings enable cultural exchange to take place.

Tradition Isn’t a Template. It’s a Living Language.

Too many couples believe they must either: Follow every tradition exactly as it was done “back home” or leave it all behind and start over.

But tradition, when understood properly, is not fixed—it’s flexible. It’s not about replication. It’s about recognition.

You don’t need the exact same stage. You need the same symbolism.

  • A garland can be made with local flowers. A blessing can be spoken in your language, even if done under a foreign sky. A ritual can still hold its power, even if it’s adjusted for time, space, or temperature

Tradition survives not because it resists change, but because it adapts with integrity.

Tradition can be flexible at a wedding.
Tradition can be flexible at a wedding.

Honor the Host, Always.

While you carry your culture into another land, remember: You’re not just arriving—you’re being received.

That’s why respect for the host country is not optional. It’s part of the design.

A great destination wedding planner will guide you through this: What time of day fits your ritual, but also respects local customs? What music can blend both worlds in the welcome dinner? Can a local officiant say a few words in your native tongue—or vice versa? Can you greet the venue staff in their language? (Even one word makes a difference.)

These may seem like small details. But they create a new kind of ceremony—one built on humility, connection, and grace.

This Is the Future of Weddings

We are now living in a time when two cultures meet not just in love, but in marriage. Families fly across continents to witness traditions they’ve never seen before. Children grow up speaking more than one language—and their wedding reflects that.

You can wear a lehenga on a Greek island. You can light candles from two religions in a mountaintop ceremony.
You can dance to both your grandfather’s favorite folk song and your partner’s beachside playlist.

And when it’s done with care, it’s not confusion. It’s harmony.

Blend cultures to create harmony at your wedding.
Blend cultures to create harmony at your wedding.

More Than a Planner: You Need a Wedding Story Director

You’re not booking a vendor. You’re choosing the narrator of your memories.

In most weddings, the planner is seen as a fixer. They find the venue. Coordinate the flowers. Manage the timeline. Solve last-minute problems with grace.

But in a destination wedding, that’s not enough You’re not just moving logistics. You’re moving lives, languages, emotions, traditions, jet-lagged guests, and expectations across borders.

So the planner must become something else entirely A Story Director.

Someone who doesn’t just put the event together, but pulls the story apart. Who looks beyond checklists and asks:

  • Where did your love story begin? What does your mother expect from the ceremony? What ritual from your culture still gives you goosebumps? What part of your partner’s heritage deserves a spotlight?

Because when your wedding is built across time zones, belief systems, and generations… Only someone who can shape narrative—not just logistics—can make it whole.

Related read: Traveling to Thailand for a Wedding? Here’s What to Ask Your Wedding Planner First

The wedding planner is key to a meaningful ceremony.
The wedding planner is key to a meaningful ceremony.

It’s Not About Control. It’s About the Right Questions.

Most planners want to lead. But the best ones know when to pause—and ask.

You, as the couple, must be involved in that. If you want the wedding to reflect who you are, you can’t be hands-off.

You need to be present, informed, and aware. And that begins by asking the planner the right questions—not just about prices and packages, but about philosophy and process.

How do they study your culture?
What moments do they want to highlight?
What role do they believe your guests should play?
How do they approach merging two traditions—or protecting one?

Asking those questions doesn’t make you demanding. It makes you conscious.

And only conscious planning can create a conscious celebration.

Conscious planning creates a conscious celebration.
Conscious planning creates a conscious celebration.

Why Most Wedding Planners Can’t Direct the Story

Most planners come from a routine point of view. They’ve handled a hundred weddings. All lovely, all efficient.

But efficiency is not your goal.

You’re building something with heritage, layers, contradictions, personality. A wedding where the priest may speak one language and the guests speak three. Where the ceremony isn’t a performance, but a shared, sacred act of witnessing.

This isn’t about finding someone who can follow your instructions. It’s about finding someone who can help you see what the wedding could become—even before you do.

That’s what a story director does. And that’s what your wedding deserves.

The World Has Shrunk—But Emotion Still Needs Space

Just because flights are faster doesn’t mean feelings are simpler.

Today, you can fly across the world in a day. You can book a villa in another time zone with three taps. You can FaceTime your grandmother from a mountain peak and get cake samples delivered from another continent.

We’re more connected than ever.

But connection is not the same as presence. And speed is not the same as depth.

In this era of hyper-efficiency, weddings risk becoming just another thing to check off the list. Find a venue. Hire a planner. Send invites. Upload photos. Done.

But a wedding is not an email thread. It’s a ritual. A rite of passage. A pause in time that must feel slower than the world around it.

That’s what destination weddings give you: Space. Emotion. Breathing room.

A wedding is more than a checklist.
A wedding is more than a checklist.

It’s Not Just the Distance. It’s the Disconnect from Routine.

One of the most powerful aspects of a destination wedding isn’t the place—it’s what you leave behind to get there.

You step out of the pressure of your daily life. The comparisons of your social circle. The opinions of neighbors, extended family, and “what everyone else did”.

And you step into a landscape that feels new, a schedule that slows down, a headspace where the wedding becomes real—not just planned.

This pause is everything, because it gives you the emotional capacity to feel the gravity of what’s happening.

To wake up and realize: “This is the day I become something new. And everyone here is part of it.”

Destination = Dedication

When your guests board a plane, they’re not just attending a wedding. They’re declaring their love and loyalty by traveling for you.

And when you yourself step into a foreign land to marry, you’re doing something even deeper: You’re choosing to create a memory that stands apart from everything else in your life.

That kind of separation from the everyday is rare. It creates space for long conversations, quiet reflection, shared laughter without phones, moments that don’t get rushed past or filtered down.

And in that space, emotion gets room to breathe.

Guests declare their love and loyalty for you by traveling.
Guests declare their love and loyalty for you by traveling.

Designing for the Whole Journey: Before, During, and After

Because a wedding is not a day. It’s a narrative—stretched across people, places, and pauses.

Destination weddings don’t begin when the bride walks down the aisle. They begin on the plane, when the first guest leaves their world behind. And they don’t end with a dance. They end weeks later, when someone opens their suitcase, finds a flower petal in a pocket, and smiles.

This is the unspoken truth: The best weddings are not built on one day, but on a sequence of moments.

Moments before. Moments during. Moments after.

Together, they form a wedding journey—one that’s deeply emotional, culturally layered, and designed with human rhythm in mind.

Before: The Welcome That Sets the Soul

When guests arrive in a new country, they’re not just travelers. They’re carrying fatigue, expectation, cultural uncertainty, and emotional excitement.

The planner’s job (and the couple’s choice) must consider how to receive them not just physically, but emotionally. This might mean: A soft welcome dinner that feels more like a family meal than a loud party. Personal notes or symbolic gifts from the couple’s culture. Music that warms, not overwhelms. Optional quiet activities (like temple visits, beach walks, or local storytelling) to help guests ground themselves before the festivities.

The arrival is not a logistical task. It’s an emotional threshold. Treat it as such.

During: The Flow of Rituals, Rest, and Realness

Many destination weddings spread across two–five days. And in that time, a story unfolds:

  • Day One is reconnection.
  • Day Two is celebration.
  • Day Three is ceremony.
  • Day Four is release.
  • Day Five is reflection or farewell.

But that’s just a framework. What matters most is the balance of intensity and intimacy.

  • Don’t overschedule. Let people have conversations.
  • Mix heritage with freshness. Let a traditional ceremony be followed by a silent morning at sunrise.
  • Allow rituals to have room for spontaneity.
  • Let the elders rest, the children play, and the bride and groom breathe.

Because if it’s all “event,” no one has time to experience.

After: What They Take Home Is What You Designed

The final gift of a destination wedding stays with people. And that staying power isn’t just about photos. It’s about how guests felt: Did they cry in a quiet corner when a childhood friend spoke? Did they meet someone they now call family? Did they see a ritual they never forgot? Did they feel something ancient wake up inside them?

After the last flight leaves, and the last glass is raised, what remains is not the playlist. It’s the meaning.

That’s why thoughtful planners like you design the “after” too: A thank-you message with memory prompts. A printed photo sent weeks later. A shared guest book that feels more like a shared legacy. Or a post-wedding concept that turns stories into exhibits (link to your after-wedding museum concept here).

Give guests a thoughtful reminder of their time at your wedding.
Give guests a thoughtful reminder of their time at your wedding.

Wedding Services That Travel With You

Love may move across oceans—but so must the details that define it.

When couples decide to marry abroad, the first question is often: “What can we take with us?”

The real question should be: “What must follow us—and what can evolve with the destination?”

Because not every service travels. But the ones that matter? They adapt, transform, and often become more beautiful when reimagined in a new setting.

Determine what must travel with you.
Determine what must travel with you.

Food: Carrying the Taste of Home Across Borders

Food is memory on a plate. Your guests aren’t just hungry—they’re emotionally wired to certain tastes, spices, and rituals around meals.

But how do you serve paneer tikka in Phuket? Or bring biryani, kimchi, or paella on a clifftop in Koh Samui?

The answer: you don’t replicate—you reinterpret.

Great destination weddings do one of three things:

Fly in a core culinary team to guide local chefs.

  • Partner with chefs who understand how to bridge taste profiles.
  • Or blend cultures intentionally (a Thai-style thali, a mango lassi gelato, a tropical fruit halwa).

It’s not about matching every flavor. It’s about ensuring every guest feels a sense of recognition and care when they dine.

Be thoughtful in the food you serve.
Be thoughtful in the food you serve.

Fashion: Threads of Identity, Recut for Climate and Culture

You don’t need a velvet sherwani in 40°C heat. Nor do you need six outfit changes on a beach.

What you need is a planner who understands local fabric availability, climate-smart tailoring, cultural dos and don’ts for dress codes, and how to balance glamour with practicality

Fashion must still reflect your tradition, but respect your location. A lehenga that moves like the wind. A dupatta hand-embroidered in India but dyed with Thai indigo. Footwear that allows dancing and temple visits.

This is where story lives—not in cost, but in intentional curation.

Blend local customs with your heritage at your destination wedding.
Blend local customs with your heritage at your destination wedding.

Music: Sounds That Speak Across Time Zones

Music doesn’t just set the mood—it carries generations.

  • Your uncle expects old classics. Your college friend wants lo-fi fusion. The venue has decibel restrictions. And your heart still wants that one folk song your grandfather sang to your grandmother.

The solution?

A planner who builds soundscapes, not playlists.

From traditional live music during rituals to bilingual DJs for the afterparty, the right mix brings not just energy, but recognition to every guest’s experience.

Music sets the mood for your wedding.
Music sets the mood for your wedding.

Rituals: Sacredness Doesn’t Expire in Transit

Pouring water, tying knots, circling fire, wearing garlands, sharing sweets—these symbols speak beyond borders.

And yet, many couples assume rituals won’t “translate” in another country.

They do.

If the planner understands them, and the setting is adjusted with care. Sometimes, a water-pouring ceremony happens under a banyan tree instead of an altar. Sometimes, the garland is made of tropical blooms rather than jasmine. Sometimes, the sacred fire is reduced to symbolism due to venue safety rules.

But the meaning holds. Because you carried it with intention.

Sacred traditions can be adapted.
Sacred traditions can be adapted.

Your Wedding Travels With You—Because It’s Not Made of Things. It’s Made of Thought.

Food. Fabric. Music. Rituals. Blessings. They’re not items to ship. They’re values to preserve, and experiences to recreate in ways that fit the space and feel alive.

Your Guests Are Bringing Their Own Story Too

The ceremony doesn’t begin at the aisle. It begins in the hearts of those walking toward it.

Every couple has their love story. But every guest carries their own.

Before they arrive—before the garlands, before the champagne, before the group photos—they’re already living a private narrative.

Some arrive joyful, having waited months to celebrate your union. Some arrive heavy-hearted, carrying the echo of someone they’ve lost who couldn’t be there. Some come tired from flights, emotional from family dynamics, or quietly unsure if they’ll belong.

And all of that shows up in the room.

That’s why the best weddings don’t just focus on the couple. They honor the guests’ inner journeys, too.

The best weddings honor the guests' inner journeys, too.
The best weddings honor the guests’ inner journeys, too.

Auntie Meena isn’t just here for photos. She’s reliving her youth.

She wore that same necklace at her own wedding. She’s watching you and thinking of her husband. She’s remembering what love looked like when she was 22. Your ceremony isn’t a show to her. It’s a memory revival.

Your college roommate is in awe—of your growth, your courage, your choices.

They remember the nights you cried over breakups. Now they see you stepping into a lifetime, and it moves them deeply.

That shy cousin you barely know? He might meet someone. Or find something.

A laugh. A dance. A feeling he’s never had before. Maybe he feels seen for the first time in a long time.

And none of that happens in a ballroom, rushed between courses. It happens in the stillness, in the space, in the slowness of destination weddings.

Destination Weddings Hold Emotional Multitudes

They allow:

  • Long talks by the pool.
  • Quiet walks after dinner.
  • Shared coffees at sunrise.
  • Real encounters between generations, cultures, and temperaments.

Not everyone is here to party. Some are here to heal. Some are here to bless. Some are here because this is the only time in 20 years the family has gathered in one place.

And when you design with that truth in mind, your wedding becomes a container for meaning, not just a container for music.

Your Wedding Is Their Chapter, Too

This is why wedding design isn’t about decoration. It’s about emotional architecture.

And as a planner or a couple, you must ask:

  • Where can people cry privately, or laugh without feeling watched?
  • Which moment can be small and quiet, instead of loud and polished?
  • Is there a place for the elderly to rest?
  • Is there a space where shy guests feel welcomed, not overwhelmed?

Because a guest who feels safe, seen, and included—that’s the kind of guest who never forgets the wedding.

They’ll carry your day in their heart… and speak of it for years.

Consider how to make all of your guests feel comfortable.
Consider how to make all of your guests feel comfortable.

The Real Destination: Memory

You book the place. But what you take home is the feeling.

We obsess over the map. Should it be Tuscany or Tulum? The cliffs of Bali or the vineyards of Portugal?
Will Santorini feel more magical at sunset—or will a hidden beach in Sri Lanka do the trick?

But when the music fades, and the last plate is cleared, and the vows have been said…

The coordinates disappear.

What remains is memory.

  • A sister’s quiet tear when the groom touched her hand. A grandfather’s story, retold in three languages around a fire. The surprise laugh during a speech that caught everyone off guard. The sound of waves—not because it was planned, but because it happened as if it knew.

You don’t remember the ZIP code. You remember the emotion that unfolded there.

When everything else fades, the memories remain.
When everything else fades, the memories remain.

A Wedding Is Not a Location. It’s a Feeling That Lingers

The country matters. The scenery matters. But those are the stage, not the story. What travels home with your guests is not the palm trees or mountain air. It’s what they felt inside that landscape.

  • A father remembering his youth. A cousin falling in love. A best friend realizing, finally, what love can look like.

That’s why we plan destination weddings. Not to impress. But to express.

We plan destination weddings to express, not impress.
We plan destination weddings to express, not impress.

Memory Is the Real Architecture

You’ll bring home photos. You’ll frame the dress. You’ll tell people where you got married.

But what you’ll revisit—again and again—is the atmosphere you created.

It will live in: The way you speak to each other years later. The way your guests reference “that weekend” as if it were a dream. The way your children look at your wedding album and wish they’d been there.

Because it wasn’t just a ceremony. It was a temporary world you created—one built on intention, emotion, and presence.

Years later, you'll still have your memories of that special time.
Years later, you’ll still have your memories of that special time.

Let the Map Fade. Let the Memory Begin.

The real destination isn’t Bali or Greece or Thailand or Morocco.

It’s the moment your families became one. It’s the laughter that echoed in a place none of you had ever stood before. It’s the kindness you received from a local stranger who now feels part of your story. It’s the way your wedding opened something inside people—something that still hasn’t closed.

The real destination is the moment your families become one.
The real destination is the moment your families become one.

So choose your destination wisely. But know this:

The place is a door. The memory is the home you build on the other side.

And that is what stays.

Make your destination wedding one that everyone will remember forever.
Make your destination wedding one that everyone will remember forever.

Thailand Planner

At Thailand Planner, we create decadent and personalized weddings for VIP couples in Thailand’s most stunning locations—wherever sparks a light in your heart.

Our bespoke celebrations reflect your unique love story. We don’t use templates or copy other ceremonies. We ensure timeless elegance.

We cater to various cultures, including Indian, Western, Islamic, Chinese, and Japanese weddings, always with meticulous attention to detail and respect.

Whether you envision a lavish beach wedding in Phuket or an elegant ballroom affair in Bangkok, we craft breathtaking experiences tailored just for you.

  • Siam Planner

    Experience the magic of luxury, tailor-made weddings in Thailand, where creativity, precision, and artistry come together to craft your dream celebration. Whether you envision a breathtaking ceremony in Bangkok, a serene beachside affair in Phuket, or a romantic setting in Chiang Mai or Koh Samui, we specialize in creating bespoke weddings that beautifully reflect your unique love story. Say goodbye to templates and limitations—embrace pure elegance designed with passion and executed to perfection. Let us turn your wedding dreams into an unforgettable reality.



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    Experience the magic of luxury, tailor-made weddings in Thailand, where creativity, precision, and artistry come together to craft your dream celebration. Whether you envision a breathtaking ceremony in Bangkok, a serene beachside affair in Phuket, or a romantic setting in Chiang Mai or Koh Samui, we specialize in creating bespoke weddings that beautifully reflect your unique love story. Say goodbye to templates and limitations—embrace pure elegance designed with passion and executed to perfection. Let us turn your wedding dreams into an unforgettable reality.





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How to Get YELLOW FEVER and POLIO VACCINES • BOQ Requirements & FAQs

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When we plan trips, part of our pre-travel preparations are making sure we have all the requirements our destination country asks for. Sometimes these are documents like visa, but other times, vaccines. And in this article, we’ll give you a step-by-step guide on how you can get yellow fever and polio vaccines along with the ICV or International Certificate of Vaccination.

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BlogDisclaimer

Recently, we had to get these vaccines in preparation for a trip to South Africa. And while these vaccines are not required to enter South Africa if you’re coming directly from the Philippines, the yellow fever vaccine is required if you’re coming from or transiting in a country within the yellow fever belt. You can find the list of countries with risk of yellow fever transmission and countries requiring yellow fever vaccination in this publication of the World Health Organization. We had to get vaccinated since our Africa trip would include a visit to Kenya first before heading to South Africa.

If you’re also traveling to a country that requires yellow fever or polio vaccine soon, just follow this guide on how you can get your vaccines and ICV.


WHAT’S COVERED IN THIS GUIDE?

What is an ICV?

How to Get YELLOW FEVER and POLIO VACCINES • BOQ Requirements & FAQs

The International Certificate of Vaccination (ICV), sometimes called the yellow card is a document with records of an individual’s vaccinations required to travel abroad. Is is recognized by countries that are members of the World Health Organization. This serves as a proof of vaccination, but note that not all countries require ICV. It’s best to double check the requirements of your destination country to avoid wasting your time and money.


How to Get Yellow Fever and Polio Vaccines

1. Create an account on the BOQ website.

BOQ Login PageBOQ Login Page

If you haven’t gotten an ICV before, your first step is to create an account on the Bureau of Quarantine (BOQ) website.

On the homepage, click “Sign Up”. Then, agree to the terms and enter your email address.
Tap “Verify” and follow the steps after that.

Already have a yellow card before but no account yet?

Don’t worry! You can retrieve your record. Here’s how:

BOQ With ICV but No AcctBOQ With ICV but No Acct

  • Step 1: On the homepage, click “Login”.
  • Step 2: Tap the yellow button that says “No Account yet but already have Yellow Card? Login using your name and ICV serial number.”
  • Step 3: Enter your name (first name, middle name, and last name) and ICV number.
  • Step 4: You’ll then need to enter your personal details and upload a valid government ID like passport or UMID.

2. Schedule an appointment.

After creating an account, your next step is to schedule an appointment. On the dashboard, click Vaccination Services icon under the BOQ Services.

BOQ Vaccine Services IconBOQ Vaccine Services Icon

On the next page, you will be shown the available vaccines that the BOQ administer. Usually, yellow fever and polio vaccines are available. Sometimes, mumps vaccine is also offered. However, there are also times when no vaccine is available. So if you’re in need of a vaccination, just check every now and then for the availability. The prices are also indicated here. Select which vaccine you need and click “Next”.

On the next page, choose a BOQ location and site. Below is the list of BOQ locations and the BOQ sites under them:

NCR

  • Manila Main Office
  • Manila – Robinsons
  • Mall of Asia (MOA)
  • North Edsa
  • Eastwood
  • McKinley
  • Ayala Malls Fairview Terraces
  • 81 Mall Newport

Luzon

  • Bataan
  • Batangas
  • Pampanga
  • La Union
  • Subic – Quay Global
  • Laoag
  • Tabaco
  • Palawan – Main
  • SM Palawan
  • Tuguegarao

Visayas

  • Cebu Main
  • Cebu – Robinsons Galleria
  • Bohol
  • Iloilo
  • Bacolod
  • Kalibo
  • Tacloban
  • Dumaguete

Mindanao

  • Davao
  • Cagayan de Oro
  • General Santos
  • Zamboanga

Once you choose a BOQ site, you will find its address and contact information. You will also see a calendar below. Just choose a date that’s best for you.

BOQ Location and SiteBOQ Location and Site

The dates highlighted in GREEN are available, while the ones highlighted in RED are fully booked. If a calendar does not show, it means that there are no available vaccine on that site yet. Vaccines are subject to availability at each BOQ site, so make sure to check the ones that are accessible to you.

Click the date you chose and a pop-up will appear. This is where you can choose the time you prefer. It will also tell you how many slots are available in each time slot.

BOQ Calendar SlotBOQ Calendar Slot

If you’re booking for the yellow fever vaccine, note that there’s a chance for your schedule to be canceled if they don’t reach 10 patients on your appointment date. If this is the case, the system will ask you to reschedule. Otherwise, you will receive a confirmation for your appointment right away.


3. Confirm your details.

After choosing your vaccine schedule, the next page will show all your details. Make sure they are correct.

When you scroll down, you’ll see a screening checklist with questions about your health. Just select your answer for each question and click “Next”.

BOQ Yellow Fever Vaccine ConfirmationBOQ Yellow Fever Vaccine Confirmation

Then, you’ll see a preview of your ICV card. Double check all the information. If everything is correct, click “Next”.


4. Pay the fees.

The final step to confirm your vaccination schedule is to settle the payment. You can pay using your credit/debit card, cash, mobile wallet, and online banking. If you want to pay with cash, you can do so at their authorized payment centers like 7Eleven, LBC, Family Mart, and Cebuana Lhuiller.

BOQ Payment MethodBOQ Payment Method

Whichever payment method you choose, they’ll have detailed instructions you can follow. Note that aside from the cost of the vaccine, there’s also an additional convenience fee and DST fee.


5. Save the QR code.

Once your payment is confirmed, you will get a QR code for your appointment. Just save this by taking a screenshot on your mobile device.

BOQ Yellow Fever Vacc ConfirmationBOQ Yellow Fever Vacc Confirmation


6. Get your vaccine.

On the day of your schedule, go to your chosen BOQ site. Make sure to have your QR code and passport with you. They will check these when you get to the site. If you already have an ICV card, you can bring it to your appointment as well. If you don’t have one yet, they will issue a new one for you.

After getting your vaccine, just wait for your ICV to be released. Make sure to check your name and passport number on the card before you leave.


Frequently Asked Questions

What should I wear to my vaccination appointment?

The vaccine will be administered on your upper arm, so make sure to wear something that you can roll up the sleeves easily. They also have this infographic on the proper attire with a note saying that wearing shorts is not allowed.

Can I get the yellow fever and polio vaccine at the same time?

Yes! These two vaccines can be administered at the same time, which we did. However, if you’re getting other vaccines, make sure to consult the BOQ first if it would be okay to get them at the same time.

If I renew my passport, would I need a new ICV?

That depends on you. You can choose to have the vaccine recorded on your existing ICV or you could opt to have a new ICV issued instead. Just remember that if you use your existing ICV, you need to bring your old passport when you travel because the officers refer to the passport number to verify the ICV.

You also have the option to have your previous vaccine records transferred to a new ICV. However, you would need to make a separate appointment for ICV issuance to be able to do this.


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Tod’s Italian Diaries Celebrate Five Young Artistes In The Spirit of the Gommino

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At the heart of all craftsmanship, is the spirit of play. The desire to perfect one’s craft has roots in first a genuine appreciation of its inherent beauty, and then a further curiousity in understanding the materiality of the trade, understanding all the ‘how’s and ‘why’s. Tod’s Gommino has long been an icon of this pure spirit, not just embodying joy in its make, but also simply in its wake. This is what the Italian Diaries is all about; in the latest campaign for the Gommino, five young talents find themselves in front of the camera lens, at ease as portraits capture and archive their love for their various artistic pursuits — each a contemporary expression of the Gommino’s timeless, jubilant elegance.

Featuring the signature rubber pebble sole, the Gommino in its latest evolution is available in the rich textures of suede or calf leather, offered in the brand’s natural hues as well as a palette of bold colours of yellow, light blue, and orange.

This contemporary vibrancy of the legacy silhouette is expanded in the charming visual narrative of the campaign. Overlooking the rolling hills of Tuscany, renowned photographer Oliver Hadlee Pearch sits with actress and singer Ella Bleu Travolta, musician Lennon Gallagher, writer and director Stella Banderas, model and artist Roberto Rossellini and singer and actor Leo Gassmann in historical residence Villa Talamo. The mix of black-and-white with colourful images capture self-confidence and the energy of Italian lifestyle, the contrasting timelines of the setting and individuals a commentary on the essence of heritage as a living, evolving force — read on for a series of short interviews that uncover how each talent is testament to Tod’s and the Gommino’s timeless appeal.

This campaign celebrates Tod’s iconic Gommino and the essence of contemporary Italian lifestyle. What impressed you most about your experience with the brand, and what does it mean to you to be part of this story?

Leo Gassmann: The campaign was shot in a typical Tuscan farmhouse by the sea. The people who worked on the campaign were all great professionals, and I immediately felt at home. Even my colleagues, whom I had the pleasure of meeting for the first time thanks to this campaign, were all special people I will always carry in my heart. What impressed my the most was the brand’s great ability to create a sense of family and belonging.

Roberto Rossellini: I would easily wear the loader as an everyday shoe. Very comfortable but also has a sense of elegance. I would wear it with some jeans and a nice shirt on a regular day. If I was going out, I would pair it with a nice suit.

Italian lifestyle is synonymous with effortless chic and a deep appreciation for quality and craftsmanship. What aspects of the Italian lifestyle resonate most with you, and how do they influence the way you life and dress?

Stella Banderas: There’s an ease and elegance to Italian style I really admire. It feels polished and refined but never forced. There’s no need to overcomplicate anything. There’s an air of casualness that I love. This plays out in the Italian lifestyle in general and that’s something I hope I embody in both style and way of living.

You all come from families with strong ties to the worlds of art, cinema, and music. How has this heritage influenced your relationship with fashion and your personal style?

Ella Bleu Travolta: Growing up, my parents always supported me, my style and any endeavour that I wanted to do. This allowed me to take influence from different styles and things I saw around me. I grew up watching and listening to a lot of classic film and music which gave me such a strong appreciation and love for a more timeless style while also adding in beautiful modern designs which I think Tod’s does very very well.

Your generation is redefining elegance, blending heritage with innovation. How do you imagine the future of fashion, and what role do you think craftsmanship plays in luxury today?

Lennon Gallagher: I think fashion will always take inspiration from the past, like now a lot of people my age are drawing from the 90s and early 2000s while still having modernity. My generation definitely aren’t just looking for things that look cool but are going to last a long time and that’s where craftsmanship will play a huge role in the future of fashion.

This article first appeared in Men’s Folio Malaysia.

For more on the latest in luxury style reads, click here.



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Chagee’s 30-Year-Old CEO Is A Billionaire

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30-year-old CEO and creator of the Chinese tea brand Chagee has officially become a billionaire after the company’s successful Nasdaq launch earlier this month. Chagee’s shares debuted at USD 33.75, up 21 percent from the USD 28 IPO price on 17 April 2025, resulting in a valuation of USD 6.2 billion. With the sale of 14.7 million American depositary shares, the IPO raised USD 411 million, making it the biggest Chinese consumer company to list in the United States since RLX Technology’s USD 1.4 billion IPO in January 2021. ​The announcement of Zhang Junjie’s new billionaire title arrives in the midst of ongoing tensions from the U.S.-China trade dispute.

The 30-year-old CEO of Chagee — Zhang Junjie. Image: Chagee

When Zhang established Chagee in Kunming, China, in 2017, his adventure officially began. Despite not going to college, he worked as an apprentice in a bubble tea shop and later in corporate governance at a Shanghai startup to obtain beverage sector experience. Under his direction, Chagee has grown to around 6,700 teahouses worldwide, mostly in posh Chinese shopping centres, and in 2024, it brought in USD4.03 billion.

The company’s growth strategy involves aggressive worldwide expansion with operations already established in Malaysia, Singapore and Thailand. Zhang maintains considerable control over the business by controlling 89 percent of Chagee’s voting power through a dual-class share structure. ​CHAGEE has rapidly grown into one of China’s foremost tea brands, with a global footprint of over 4,500 outlets. Distinguishing itself from the bubble tea wave, CHAGEE focuses on high-quality, milk-based brews made with traditional Chinese teas like oolong, green and black. Its elegantly minimalist stores evoke a café-style experience — more in line with a modern tea lounge than a grab-and-go kiosk.

With total funds raised falling 91 percent to USD 1.39 billion in 2024, Chagee’s IPO success stands out amidst a general reduction in Chinese IPO activity in the United States. However, investor confidence in China’s domestic consumption growth continues to fuel robust interest. Zhang’s quick ascent to billionaire status highlights the opportunity for young entrepreneurs in China’s expanding consumer market. Aspiring corporate executives negotiating the intricacies of international marketplaces should draw inspiration from his story.

CHAGEE’s expansion into Singapore was marked by the opening of its largest regional flagship at the nation’s VivoCity mall in January. This signals a new chapter in the brand’s pan-Asian growth strategy. As part of its evolving brand direction, the tea company is moving beyond local influencer marketing to focus on high-impact regional campaigns, exemplified by the presence of K-pop star MINNIE at the store’s launch. This shift underscores CHAGEE’s ambition to position itself not just as a tea brand, but as a cultural force across Asia, blending lifestyle cues with the regional culture of tea consumption.

For more on the latest in business news and reads, click here.



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HSR Watkins Glen 6-Hours (2023) – HSR Classics Triple Crown

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The Inaugural Historic Sportscar Racing (HSR) Classic 6 Hours of The Glen came to a safe and successful conclusion this past Sunday with the first three Run Group winners in the history of the newest “HSR Classics” race honored after two days of competition on the legendary Watkins Glen International Grand Prix circuit. The Classic 6 Hours joins the HSR Classic Daytona 24 Hour and HSR Classic Sebring 12 Hour as the third race in the HSR Classics triple crown and delivered in its first edition this weekend the same intense competition and drama for which the Daytona and Sebring HSR Classics have become known.

The weekend’s trio of Run Group winners were each awarded custom designed watches carrying the race’s logo from B.R.M. Chronographes.

One of the weekend’s most notable victories was a record-extending seventh HSR Classics win by the 1974 No. 26 Chevron B26 co-driven by car owner/driver Gray Gregory and his teammates Randy Buckand Ethan Shippert. The always-quick Chevron swept all three Run Group A rounds at The Glen over the course of Saturday and Sunday to become the first team and drivers to win each of the HSR Classics races at Daytona, Sebring and Watkins Glen at least once.

 

This weekend’s win at The Glen was also the third-consecutive HSR Classics victory for the No. 26 Chevron team and drivers after sweeping the 2022 Daytona and Sebring HSR Classics races late last year. Gregory and his teammates have four career HSR Classic Sebring victories – 2018 through 2020 and ’22 – and a pair of HSR Classic Daytona wins last year and in 2020. Along with the Classic 6 Hours, the seven victories are the most for any single team and driver lineup in the nearly 10-year history of the HSR Classics events.

The biggest challenge for the Group A winners came from the similar 1975 No. 62 Chevron B31 of Mitchell Eitel that pressured Gregory’s No. 26 throughout the event on the way to a second-place finish. The final podium spot went to the highest finishing production-based GT car as Yves Scemama capped a full weekend of podium results with a third-place showing in his Arnage Motorsports 1974 No. 52 Porsche 911 IROC.

The Run Group B victory was secured by Todd Sloan in his ex-Michael Shank Racing 2006 No. 60 Riley XX Daytona Prototype. Sloan finished a solid third-place overall as the top prototype finisher in his Run Group in last November’s HSR Classic Daytona in a similar Riley Daytona Prototype. At The Glen, Sloan stepped up to take overall Group B honors and led a one-two Riley finish as David Huber and Chip Vance scored runner-up honors in a 2004 No. 10 Riley XI Daytona Prototype.

Another quick GT car claimed the final Classic 6 Hours podium spot. The family team of Theo Ruijghand his son Tjebbe Ruijgh finished third overall and topped the GT field in their Alex Job Restorations 1997 No. 23 Porsche 993 RSR.

 

The Daytona Prototype and GT-podium trend continued in Run Group C that saw Dante Tornello and Hudson Historics break through for the overall victory in the 2014 No. 80 Coyote Corvette Daytona Prototype. The win was particularly sweet for the Hudson Historics operation that is based in upstate New York and calls Watkins Glen a home track.

Dominick Incantalupo finished second in his 2014 No. 54 Roin Realty Holdings Oreca FLM09 “PC” car while Wayne West and Stanton Barrett completed the run of GT cars on all three Classic 6 podiums with a third-place finish in the Brumos-themed 2012 No. 59 Porsche 997 GT3 Cup prepared by Vintage Racing.

The Classic 6 Hours race weekend also featured the HSR Watkins Glen Historics that were points-paying races for HSR’s various season-long championships. Sunday’s final day of competition began with a pair of Watkins Glen Historics one-hour B.R.M. Chronographes Endurance Challenge races that set the stage for the afternoon Classic 6 finales.

 

Todd Treffert wrapped up a feature race three-win weekend with an overall and GT Classic (GTC) victory in the first B.R.M. race in his 1974 No. 14 Speedconcepts Porsche 911 IROC prepared by the 901 Shop. The Vintage class win in the same race went to the DAS Sport Classic 1988 No. 77 Porsche Turbo Cup of Colin Dougherty, who finally reached the top step of the podium after finishing second and third in Glen Historics feature races earlier in the weekend.

 

In a sign of things to come, Tornello and Hudson Historics took the overall and Prototype victory in the second B.R.M. race. The GT Modern (GTM) class win went to the 2018 No. 117 Ferrari 488 Challenge Evo of Alexandre Lima and Pierre Kleinubing while Benjamin Myers earned Historic-class honors in his Wolf Motorsports 2001 No. 129 Carbir CS2 Sports 2000.

Next up for HSR on the 2023 calendar is a return to Watkins Glen for the Inaugural HSR Stock Cars at The Glen on NASCAR weekend, August 19 – 20. Prior to that, HSR returns to WeatherTech Raceway Laguna Seca for its third year as the sanctioning body for the Rolex Monterey Motorsports Reunion, August 16 – 19, and Monterey Pre-Reunion the week before, August 12 – 13.



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2025 Porsche 911 Spirit 70 Heritage Edition officially revealed

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Porsche has revealed the latest Heritage Edition model based on the 911 at the Shanghai Auto Show. The new Porsche 911 Spirit 70 is based on the Carrera GTS Cabriolet and is limited to just 1500 units.

2025 Porsche 911 Spirit 70 Heritage Edition02

The 2025 Porsche 911 Spirit 70 is inspired by cars from the 1970s and 80s. It is presented in a deep green shade of Olive Neo with Bronzite elements and Sport Classic wheels in ‘Fuchs’ design painted in grey-gold. The car comes with black stripes with the ‘911’ decal and a black soft top and sports the ‘911 Spirit 70’ badge at the rear.

2025 Porsche 911 Spirit 70 Heritage Edition04

Inside, the 911 Spirit 70 gets the iconic Pasha fabric pattern in black and Olive Neo colours. The dashboard and door pads are trimmed in black leather with Pasha inlays. The instrument cluster has a historic theme with green digits reminiscent of the Porsche 356. The Sport Chrono stopwatch gets green numerals and white hands.

2025 Porsche 911 Spirit 70 Heritage Edition01

Powering the 911 Spirit 70 is Porsche’s new T-Hybrid powertrain. It uses a 3.6-liter flat-six engine paired with a single electric turbocharger and a traction motor that sits between the engine and the 8-speed PDK. It makes 534 hp and 450 lb-ft of torque.

2025 Porsche 911 Spirit 70 Heritage Edition05

Source: Porsche



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The Ultimate Guide to Visiting Pompeii (Updated 2025)

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Cobblestone street in Pompeii lined with the ancient ruins of buildings on a bright and sunny day in Italy

When I was growing up, I wanted to be an archeologist. I loved history (and still do), and the thought of uncovering temples and tombs in jungles excited me. I used to read books on Greek and Roman history and have discussions with my history teacher, even as young as 13. In short, I was a huge geek from the get-go.

Being such a huge history geek, visiting Pompeii, the city destroyed by Mount Vesuvius in 79 CE, has always been high on my list of things to do.

When the volcano erupted, the falling ash came so quickly that it preserved the city just as it was, burying Pompeii in 4–6 meters (13–20 feet) of ash. It’s a city frozen in time.

The earliest settlements in the area date to the 8th century BCE, though most people know Pompeii as the Roman city that it was at the time of its demise. The rich agricultural land combined with its location on important trading routes meant that, over time, Pompeii became a wealthy provincial city. it had a population of over 20,000 people.

The city was also a regional cultural center, with a large amphitheater, forum, public baths, various temples, and an extensive aqueduct system providing clean water. Many of these buildings, including expansive private villas in the surrounding countryside, were buried during Vesuvius’s eruption.

The eruption itself lasted over two days, with the first phase of falling ash and pumice lasting over 18 hours. While the 1,150 bodies discovered is significant, it was only a fraction of the overall population. Most inhabitants likely had a chance to escape during this initial eruptive phase, though the final casualty count remains unknown.

While the eruption was the biggest tragedy of its time, the falling ash also kept the buildings, frescoes streets, pots, and bodies incredibly well preserved. And while there was some looting after the eruption, eventually Pompeii’s location was lost with the passage of time.

It wasn’t until the rediscovery of the nearby town of Herculaneum (buried in the same Vesuvius eruption) that interest was renewed in the area. The first excavations at Pompeii occurred in 1748, with archaeological work continuing to this day. There is still a significant portion of the site that remains unexcavated so who knows what they will discover here in the future!

I’ve traveled the world for a while and have seen plenty of marvelous ruins over the years. But this is one of the best. Even though a lack of upkeep has taken its toll on the site, I still found it a fascinating place to spend the day. My only hope is that the Italian government will get its act together to keep this site from falling into further disrepair.

Located near Naples in Italy, Pompeii takes a full day to see. If you truly want to indulge your inner Indiana Jones and visit every building here, schedule an extra half day. At over 160 acres, it’s a huge site and you could easily spend even more time than that.

I saw a lot on my full day, but there was a lot that I missed. To help you make the most of your visit, here is everything you need to know to visit Pompeii:

 

The Top 12 Attractions in Pompeii

1. The Brothel

Ancient sexual frescoes from a brothel in Pompeii, ItalyAncient sexual frescoes from a brothel in Pompeii, Italy
The ancient lupanar (brothel) is a tiny house with stone beds and scenes of the acts customers might pay for. It’s essentially ancient porn, though whether the frescoes served a practical purpose or were merely decoration is unclear.

Unsurprisingly, this is one of the most visited houses in all of Pompeii (it was probably just as popular before the eruption — no pun intended — too). It’s the largest of the pleasure houses uncovered in Pompeii (so far) and so historians think it was the city’s main brothel. After all, the Romans did enjoy their…rest and relaxation.

2. The Forum Baths

The ruins of the forum baths in Pompeii, ItalyThe ruins of the forum baths in Pompeii, Italy
Located near the forum (the main public space), these baths are incredibly well preserved. You can peek inside the wall to see how they heated the baths back when they were still in use. Their innovation is incredibly impressive, and it’s not hard to picture the baths as they were.

While the forum baths are the smallest of the various bath ruins in Pompeii, they are arguably the most elegant. There were separate areas for men and women, including separate entrances. The bath not only had hot baths but cold and tepid baths as well.

3. The Villa of the Mysteries

A colorful fresco from the the villa of mysteries in Pompeii, ItalyA colorful fresco from the the villa of mysteries in Pompeii, Italy
Located outside the main area, the frescoes here are amazingly well preserved in their full vibrant color. In fact, they’re some of the best examples of 1st-century Roman painting. The frescoes seem to depict a woman entering into the initiations for a Greco-Roman mystery cult, hence the name the villa is known by today.

The villa, which is on the outskirts of Pompeii proper, was excavated long after the rest of the city (excavation of the villa began in 1909). Since it’s a bit of a walk, not many people come here either, giving you the place virtually to yourself.

4. The Forum

The ancient ruins of the Pompeii forum on a sunny dayThe ancient ruins of the Pompeii forum on a sunny day
The most crowded place in Pompeii, the forum is located right near the main gate. It was the main center of life in Pompeii, the cultural and civic nerve of the city. Any significant religious or commercial events would occur here; it was essentially the main square and heart of the city. When you wander around here, you can really get a sense for what life in Pompeii was like.

5. The Stabian Baths

Well ancient and well-preserved ruins of the Stabian baths in Pompeii, ItalyWell ancient and well-preserved ruins of the Stabian baths in Pompeii, Italy
Another well-preserved bath, this one is the oldest in Pompeii. It also has a slightly bigger chamber and sees a whole lot fewer crowds. You can also see some preserved bodies here, which is unsettling (though you’ll get used to it the more you wander the ruins).

The bath area also had a gym and workout area (for wrestling, as well) and a large, almost Olympic-sized, swimming pool.

6. House of the Small Fountain

The small entrance to an ancient house in Pompeii, ItalyThe small entrance to an ancient house in Pompeii, Italy
A beautiful house with a large back room, wonderful frescoes, and a beautiful mosaic fountain. Almost all of the rooms lead to the central atrium and you can see that the house was owned by someone who was wealthy.

The sloped roof was used to collect rainwater and doubled as a fountain, a great example of innovation at the time.

7. House of the Faun

A statue outside of the biggest house in all of Pompeii, ItalyA statue outside of the biggest house in all of Pompeii, Italy
This is the biggest house in Pompeii and gets its name from the statue in the front courtyard. Built in the 2nd century BCE, there’s a large courtyard in the back where you can also find a very detailed mosaic of a battle scene.

It’s one of the most complete surviving examples of a wealthy and luxurious private residence from the time — even better preserved than many sites in Rome itself!

8. Garden of the Fugitives

The preserved corpses of those killed in Pompeii in Garden of the FugitivesThe preserved corpses of those killed in Pompeii in Garden of the Fugitives
Located in the back of Pompeii, this old vineyard has preserved casts of people who didn’t make it out of the city alive. There are 13 bodies in the garden, frozen in a grotesque and agonizing tableau that reflects the horrible final moments of the city. It’s both incredibly interesting and unsettling at the same time.

9. House of Venus in the Shell

A colorful frescoes of Venus in the shell in Pompeii, ItalyA colorful frescoes of Venus in the shell in Pompeii, Italy
Another place located far away from the crowds, this house has a colorful fresco to the goddess Venus. There are also a few gardens here and a detailed statue of Mars.

The house was actually under renovation when Vesuvius erupted and was also damaged during the bombing in World War II (though it was restored in the 1950s).

10. The Amphitheater

The amphitheater in Pompeii as seen from above in the springThe amphitheater in Pompeii as seen from above in the spring
This huge amphitheater is where the citizens of Pompeii held the ancient games that entertained them. It’s a quiet place to walk around and given its position at the far end of Pompeii, you’ll see very few people there, especially during the early morning or late afternoon hours.

Built in 70 BCE, it was one of the first amphitheaters to be built of stone. Today, it is the oldest surviving Roman amphitheater in existence.

11. Great Palestra

The ancient massive ruins of the Pompeii Palestra on a sunny dayThe ancient massive ruins of the Pompeii Palestra on a sunny day
Right next to the amphitheater, the “great palace” was an exercise park and place for youth groups. It was used for sports and games, and there was also a swimming pool here as well.

It’s another a great place to escape the crowds as not so many tourists make it here.

12. House of Sallustio

One of the many ancient frescoes that survived in Pompeii, ItalyOne of the many ancient frescoes that survived in Pompeii, Italy
This is one of the oldest houses in Pompeii, with sections dating to the 4th century BCE. It was most likely an elite residence, owing to its location and size. The upper floors may have even been used as an inn at some point in its history.

There’s a small garden and covered porch in the back, a fresco of the goddess Diana, a bakery, and even a little food shop in the front. During World War II, a bomb partially destroyed the back walls, though these were restored in the 1970s.
 

12 Tips for Visiting Pompeii

The ancient columns and ruins of Pompeii, ItalyThe ancient columns and ruins of Pompeii, Italy
Here are 10 super important things to remember when visiting Pompeii:

1. Watch out for closings – Not all the attractions are open, even if they say they are. I found a number of places you were supposed to be able to get into closed. They even started closing one while I was looking around. Check the hours when you arrive, since information online might not be accurate.

2. Start in the back – To avoid the crowds, move from the farthest temples toward the front. The majority of people stick to the center of Pompeii, and you can visit the main area when the crowds have gone by late afternoon.

3. Don’t do the audio guide – I bought the audio tour and found it to be a waste of time. The free book they give you includes enough information. The audio guide doesn’t explain much more.

4. Limited time? Do a guided tour – I listened to a number of guided tours while I was walking around and I was impressed with their knowledge. Plus, I like being able to ask questions that can further explain things. The guided tours simply take you to the highlights, unless you do a personal tour.

5. Bring lots of water – During the summer, it gets scorchingly hot. Bring lots of water and some sunscreen to avoid getting burnt. A hat is a good idea too.

6. Pack snacks – There are a few cafes and snack bars here, but if you wander far into the ruins, you might not be near them for a while. It’s best to bring some food with you for the day’s explorations.

7. Take the train – This is the easiest way to visit. Just make sure you go to Pompei Scavi – Villa Dei Misteri station as the main Pompeii station only takes you to the modern city.

8. Watch out for scams and pickpockets – As Pompeii is such a popular attraction (over 2.5 million people visit each year), there are many people who try to take advantage of visitors. Common scams include trying to sell fake (or overpriced) train and bus tickets or saying that the entrance is closed (but they can get you in). Also watch out for pickpockets around the entrances and train station.

9. Don’t bring a large backpack – Security likely won’t let you bring in a large rucksack, so only come with a smaller purse or day bag.

10. Choose your tour carefully – If you’re going to do a tour, do an official tour from inside the gate. There are plenty of tours offered outside of the gate, but they are much larger and not as good (though they are cheaper). I suggest going with Take Walks. I always learn a ton on their tours.

11. Wear sturdy footwear – The ruins are actually quite spread out and you’ll be on your feet all day. Wear comfortable, sturdy shoes (no flip flops).

12. Buy tickets in advance – To beat the line, buy your tickets online in advance. Pompeii can get super busy, meaning long lines when they open. Avoid the hassle and get your tickets ahead of time.
 

How to Get to Pompeii

The sweeping vista overlooking Pompeii, Italy with ancient ruins in the foreground surrounded by lush grass and greenery, and Mount Vesuvius in the backgroundThe sweeping vista overlooking Pompeii, Italy with ancient ruins in the foreground surrounded by lush grass and greenery, and Mount Vesuvius in the background
The train is the best way to get to Pompeii if you’re coming from Naples. To get here, catch the Sorrento Circumvesuviana train from Naples and get off at Pompeii. The journey takes about 40 minutes and costs around 3.50 EUR. The site is just 5 minutes from the train station.

If you’re coming by car, it’s about a 30-minute drive. Note that there is no free parking lot for the site, though there are many paid municipal and private parking lots nearby.

Starting in 2025, the site has put restrictions on daily visitors to help preserve the site:

From 9:00 am to 1:00 pm, a maximum of 15,000 admissions (subdivided into 12,000 for Pompeii express and 3,000 for Pompei +)

From 1:00 pm to 5:30 pm, a maximum of 5,000 admissions?(subdivided into 3,000 for Pompeii express and 2,000 for Pompei +)

From April 1st to October 31st, the entire site is open from 9am-7pm (last entrance at 5:30pm). From November 1-March 31, the site is open from 9am-5pm (last entry at 3:30pm). However, each individual attraction has its own opening and closing times, with last entrances starting 1-1.5 hours before closing time of the entire site. For updated hours, check pompeiisites.org.
 

FAQ on Visiting Pompeii

The sweeping vista overlooking Pompeii, Italy with ancient ruins in the foreground and Mount Vesuvius in the distanceThe sweeping vista overlooking Pompeii, Italy with ancient ruins in the foreground and Mount Vesuvius in the distance

How long do you need in Pompeii?
You’ll want to spend a full day here if you want to see everything. If you just want to see the main sites, 3–4 hours will suffice.

Do you have to pay to visit Pompeii?
Yes! Tickets are 18 EUR per person for the basic ticket (this gets you the main sites) and 22 EUR for the comprehensive, all access ticket.

Should I book a guided tour?
If you don’t have a guidebook or if you want a deeper, more insightful visit then getting a guide is a good idea. There is minimal signage here so you’ll get much more from your visit if you have a guide.

You can either book a guide on arrival (you’ll see a bunch hanging around the entrance) or go with a reputable company like Take Walks. They have a comprehensive and informative 3-hour tour of the site as well as a full-day tour that includes Pompeii and a drive along the Amalfi Coast. Tickets are 59 EUR for the three-hour tour and 189 EUR for the full-day tour (including tickets that let you skip the line).

Do you need to book tickets in advance for Pompeii?
Tickets can be bought online in advance, which includes access to Pompeii, Oplontis, and Boscoreale. If you’re visiting on a Saturday or public holiday, you must book online in advance.

How many tourists visit Pompeii each year?
Pompeii is one of the most popular attractions in Italy, bringing in over 2.5 million tourists each year. It gets busy!

When should I visit Pompeii?
The summer offers the best weather, but it is also incredibly hot and busy. Consider visiting in the shoulder season (May or October) in order to beat the crowds and also have cooler weather. But if you are going to visit in the summer, bring sunscreen as the site is very exposed to the sun.

***

In the time I was there, I barely scratched the surface of Pompeii — and I filled a whole day! One day, I’d love to go back and visit all the buildings I missed. But then again, I’m a history geek and could spend days upon days among ruins. If you don’t live and breathe history as I do, one day would be enough to see the highlights.

Make sure you move away from the city center to see some of the lesser-known and less crowded sites. Walking among the ruins is an eerie but beautiful feeling.

Plan your trip to Europe like a pro

Get all my best Europe travel tips as well as free planning guides sent straight to you and see more of the country for less!

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Book Your Trip to Italy: Logistical Tips and Tricks

Book Your Flight
Use Skyscanner to find a cheap flight. They are my favorite search engine because they search websites and airlines around the globe so you always know no stone is left unturned!

Book Your Accommodation
You can book your hostel with Hostelworld as they have the biggest inventory and best deals. If you want to stay somewhere other than a hostel, use Booking.com as they consistently return the cheapest rates for guesthouses and cheap hotels.

If you’re looking for a place to stay, check out Agorà Hostel Deluxe.

Don’t Forget Travel Insurance
Travel insurance will protect you against illness, injury, theft, and cancellations. It’s comprehensive protection in case anything goes wrong. I never go on a trip without it as I’ve had to use it many times in the past. My favorite companies that offer the best service and value are:

Looking for the Best Companies to Save Money With?
Check out my resource page for the best companies to use when you travel. I list all the ones I use to save money when I’m on the road. They will save you money when you travel too.

Need a guide?
Take Walks runs my favorite paid tour. Their Complete Pompeii Experience: Skip the Line Tour & Archaeologist Guide will give you an incredible behind-the-scenes and historical Pompeii experience. If you want a tour, take that one!

Want More Information on Italy?
Be sure to visit my robust destination guide on Italy for even more planning tips!



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These 5 Florida Restaurants Just Received Michelin Stars

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  • Five restaurants across Florida were just awarded Michelin Stars.
  • Sorekara, located in Orlando, got a boost from one star to two.
  • Other Michelin-starred restaurants in Florida include Konro, Chef’s Counter at MAASS, Itamae AO, and Ômo by Jônt.

Florida’s thriving culinary scene just got another round of well-deserved applause with this year’s Michelin Guide Florida selection. Five Florida restaurants were awarded new stars—including one rare upgrade to two-star status—and the guide added three destinations to its map: Greater Fort Lauderdale, The Palm Beaches, and St. Pete-Clearwater.​

In total, 31 restaurants were awarded stars by Michelin’s anonymous inspectors, with Sorekara in Orlando, topping the list as the newest double-starred restaurant in Florida. The only other Florida restaurant that has two stars is L’Atelier de Joël Robuchon in Miami.

And it’s little wonder why Sorekara is getting more recognition: chef and founder William Shen’s tasting menu highlights the 72 micro-seasons of Japan. A meal at Sorekara can take several hours and span several rooms—there’s even a course that mimics what it’s like to visit a Japanese convenience store. But if you hope to experience it for yourself, good luck: Sorekara is open for a single seating only a few nights a week.

One of the menu items from Ômo by Jônt in Winter Park, Florida.

Ruben Cabrera/Ômo by Jônt


In addition to the Sorekara’s notch up, four restaurants across Florida received their first Michelin star:

  • Konro (West Palm Beach): Chef Jacob Bickelhaupt and sommelier Nadia Bickelhaupt offer a 10-seat, omakase-style chef’s counter with a 10 to 14-course tasting menu.
  • Chef’s Counter at MAASS (Fort Lauderdale): Tucked inside the Four Seasons Hotel and Residences Fort Lauderdale, chef Ryan Ratino’s tasting menu combines contemporary cooking, French techniques, Japanese ingredients, and Florida flair.
  • Itamae AO (Miami): Chef Nando Chang’s 10-seat counter is a restaurant within a restaurant serving super-fresh Peruvian-Japanese.
  • Ômo by Jônt (Winter Park): This offshoot of chef Ryan Ratino’s acclaimed D.C. eatery is an eight-seat counter where Japanese seafood and ingredients are prepared using French techniques.

Stubborn Seed and EntreNos, both in Miami, both receieved Michelin Green Stars for their standout efforts in sustainable gastronomy.

As a local, I’m particularly proud of Palm Beach County’s strong showing in its debut year: Buccan (my favorite local restaurant and the place I recommend every visitor try), Coolinary and The Parched Pig, Moody Tongue Sushi, Nicholson Muir, Stäge Kitchen & Bar, and The Butcher’s Club all cinched Michelin Recommended status, while Aioli (where I get my weekly sourdough and treat myself to their famous sea-salt chocolate-chip cookies when I’ve been very good) and Palm Beach Meats both earned a Bib Gourmand distinction.

“We never set out to be a Michelin-recognized restaurant, so to receive a Bib Gourmand is honestly surreal,” says Meghan San Pedro, owner and founder of Palm Beach Meats, along with her husband, Eric. “We just really loved Wagyu and were crazy enough to build a business around it.”

For the full list of starred, Bib Gourmand, and recommended restaurants, visit guide.michelin.com.



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Yanran Chen’s Art Goes Beyond Cyborgs and Cyberpunk Collectables

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Yanran Chen

Artist Yanran Chen ​(also known as Chloe Chen) is leading the charge in reimagining contemporary visual culture through a surrealist, sci-fi lens — honing in on her unique cross-disciplinary art that blends illustration and sculpture. At just 19 years old, Chen has already amassed a social media following of over 300,000 — a testament to her resonance with a new generation of digital-native art lovers.

Yanran Chen

The Beijing-born artist is renowned for her otherworldly, sci-fi-inspired works that blend dreamlike imagery with futuristic aesthetics. Her influences are deeply rooted in Japanese-style manga and experimental French films, resulting in creations that explore themes of identity, consciousness and the human condition. In a 2022 interview with Harper’s BAZAAR Vietnam, Chen shared her admiration for classic horror comic artists, stating, “I love the old horror comic artists. I’m drawn to the mysterious atmosphere of their work and have always been fascinated by horror comic stories.”

Yanran Chen

2023 was a pivotal year for Chen, who showcased her first solo exhibition in Tokyo before going on to exhibit across the globe — including in Shanghai, Hong Kong, Budapest, Taipei and Las Vegas. She went on to participate in ComplexCon three times: in Hong Kong (March 2024 and March 2025) and in Los Angeles (November 2024).

Yanran Chen

According to a 2024 article by China Daily, seasoned art agent Pei Lifan observed that at Chen’s solo exhibition in Tokyo, the majority of her pieces were “swiftly acquired by collectors” — a clear indication of her growing demand in the international art market. Her work has been particularly well-received in cities like Tokyo and Hong Kong, with her cyberpunk-style sculptures drawing significant attention. There has even been interest in having some of her pieces mass-produced or transformed into collectible figures. Pei Lifan also highlighted Chen’s meticulous approach to her craft, describing her as a “perfectionist” who constantly refines the intricate details of her paintings.

Yanran Chen

This attention to detail — combined with a strong undercurrent of self-expression — has become a defining characteristic of her dreamlike aesthetic. Chen often centres her work around the “depiction of girls”, a theme that she attributes to a deep personal reflection. Her characters — created at different points in her life — are a representation of her struggles and explorations of real-world issues. While these figures visually represent aspects of her artistic personality, she notes that they do not fully encapsulate her entire self.

Yanran Chen

Her notable works include sculptures like The Mechanical Lifeform and Dinner, which showcase her ability to merge organic forms with mechanical elements. When it comes to professional highlights, her solo exhibition NOWHERE at SOMSOC Gallery in Tokyo marked a breakthrough moment, followed by an appearance in the SOMSOC Art Show 23 A/W. She continued to make waves across major international platforms, including Art Market Budapest and ART AMOY in Xiamen. In 2024, Chen’s work travelled further, with showings at ART021 Shanghai, the Modern Art Museum’s Rekindle exhibition and OPENFILE at Shanghai’s chi K11 art museum. That same year, she held a solo show at Tokyo’s renowned Tsutaya Books in Daikanyama and showcased at ART TAIPEI, the Budapest Art Exhibition and ComplexCon in both Hong Kong and Las Vegas (where she unveiled six sculptures from her “The Playpower Collection” project) — affirming her place at the intersection of contemporary visual culture and collectable design.

Yanran Chen

A bevy of international brands — such as the German notebook line LEUCHTTURM1917 and the Italian luxury label Gucci — have also taken notice of her and her artistic creations. Beyond the gallery circuit, Yanran Chen has become an increasingly prominent figure in brand collaborations and multimedia cultural projects. She served as the co-artist of “The Playpower Collection” for WaarWorld — the animation label tied to Liu Cixin’s The Supernova Era — bringing her futuristic visual language to the realm of science fiction storytelling. Chen was also named brand ambassador for LEUCHTTURM1917 China, launching a co-branded collection titled “Mirror Wonderland: Explore Within and Beyond,” which included limited-edition stationery and curated gift boxes. In the luxury toy industry, she teamed up with toy designer ROBBi for a collaborative capsule collection entitled “Ember”.

Yanran Chen

Her visual presence extended further through shoots with brands like R13, Songmont, and Balenciaga × Wonderland, as well as her participation in MODE Magazine’s Women’s Day special feature. Chen also took part in iQiyi’s popular reality series Life Show Fashion as a featured creative and was a guest on Chinese actor Yuan Hong’s personal art programme #Artknock, further cementing her crossover appeal between the visual arts and popular culture. Her 2024 artwork DRAGON was commissioned for the Chinese Loong Year— a symbolic nod to her cultural roots and contemporary vision.

 Yanran Chen

A conceptual sculptor known for her use of unconventional materials, Yanran Chen stands at the forefront of a new cultural movement — creating collectable works that blur the lines between fine art and futurism. In addition to expanding her practice into sculpture, Chen expresses a desire to explore other mediums, including animation. She hopes to experiment with creating moving installations and is also keen to develop her own line of toys. What does the future hold for Yanran Chen? With her surreal, genre-defying approach and growing international acclaim, it is clear she is not just part of the next wave of art — she is leading it.

For more on the latest in culture and art reads, click here.



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Goodwood Revival (2023) – Ferrari Lavant Cup at Goodwood

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Words by: Glen Smale. Images by: Virtual Motorpix/Glen Smale

The No. 21 Ferrari 250 GT SWB (1962) of Alexander van der Lof leads a group of Ferraris through the Chicane during the Lavant Cup (Virtual Motorpix/Glen Smale)

First of all, it would be worthwhile to recognise the significance of the event that took place at Goodwood this last weekend. This year marked the 75th year since Goodwood Motor Circuit opened its doors to the sport back in September 1948. Adding to that important milestone is the fact that this year also marked the 25th running of the now famous Goodwood Revival, the finest and most characterful automotive garden party in all the world.

The No. 21 Ferrari 250 GT SWB (1962) of Alexander van der Lof leads a group of Ferraris through the Chicane during the Lavant Cup (Virtual Motorpix/Glen Smale)

Then there were the other anniversaries such as the 75th birthday of Lotus, it was also the 100th year since the birth of the legendary Carroll Shelby. In addition, the Fordwater Trophy was this year dedicated to the Porsche 911, marking 60 years since the launch of that evergreen sports car model back in 1963.

Over the years, the Lavant Cup has been dedicated to a variety of different cars such as the D-type Jaguar, and the MG-B, but this year the honour fell to the Ferrari brand, specifically the GT cars that raced between the years 1960 to 1966. As if to recognise the closeness of the action on the track, the weather delivered three of the most glorious warm, sunny and bright days that could be wished for.

This stunning No. 8 Ferrari 250 LM was one of three iconic Ferraris that completed demo laps ahead of certain races (Virtual Motorpix/Glen Smale)

Official practice for the Lavant Cup took place on Friday at 11h45 on Friday, followed by the race on Saturday at 14h15. Eighteen cars in all were on the entry list, and a stroll through the paddock revealed pit after pit of the most striking cars from the Maranello brand, with a seemingly constant stream of enthusiastic admirers milling around. There were the inevitable ‘selfies’ being taken, along with proud parents taking innumerable snaps of their offspring standing next the father’s (or mother’s) favourite Ferrari.

Some History

Approaching the Chicane, the No. 22 Ferrari 250 GT Tour de France (1957)of Richard Cook would finish 12th in the Lavant Cup (Virtual Motorpix/Glen Smale)

GT racing in the early 1960s was almost the sole domain of Ferrari’s greatest and star-studded family of road and race cars. Starting in the mid-1950s, the 250 GT Competizione (better known as the ‘Tour de France’) set the stage for the GT onslaught from Maranello, and this was followed by the 250 GT SWB in 1959 and the 250 GTO in 1962. This latter model was dominant in competition around the world, but when Enzo Ferrari constructed the 250 LM in 1963 and tried to get it approved as a GT car and successor to the 250 GTO, the FIA would not hear of it. Ferrari argued that it was powered by the same engine, but by moving the engine from the front of the car to behind the driver, in the eyes of the FIA, this made it a different car altogether and it would be considered a new model. The 250 LM was a truly striking mid-engined race car, but the body sported a completely different and new body design.

The FIA was, however, familiar with Ferrari’s tricks. Incensed by the FIA’s attitude, he had to re-engineer the 250 GTO and using some of the design cues from the 250 LM, the beautiful 250 GTO/64 was created. The body of the new GTO/64 was both shorter and lower, but a fraction wider.

The No. 21 Ferrari 250 GT SWB (1962) driven by Alexander van der Lof finished sixth in the Lavant Cup (Virtual Motorpix/Glen Smale)

As it happened, the 250 LM was a very different machine, too different in fact for the FIA’s liking to be considered as a development of the 250 GTO. It was shorter and significantly lower and lighter than the 250 GTO on which Ferrari had tried to get the new model homologated for the 1963 season. It was powered by a 3.3-litre version of the GTO’s engine, and as a result, with the car’s characteristics and low production numbers, the FIA required this race car to be treated as a new model, forcing it to race as a prototype and not a GT. As it happened, the Ferrari 250 LM would go on to become a very successful racer in its own right.

The Lavant Cup was watched by thousands of eager spectators in brilliant sunshine. Here Adrian Beecroft in the No. 5 Ferrari 250 GT SWB/C (1960)approaches the Chicane on his way to 13th place overall (Virtual Motorpix/Glen Smale)

Giotto Bizzarrini was one of the engineers fired by Ferrari during the ‘palace revolt’ of 1961, and being an engineer of such talent, he was immediately hired by Count Giovanni Volpi. Still seething following his mass firing of employees, Enzo Ferrari stubbornly refused to sell a GTO to Count Volpi. Volpi wanted to compete with a new 250 GTO, as without one he would be at a disadvantage, and so he hired Giotto Bizzarrini and Piero Drogo to modify an older Ferrari 250 GT SWB Competizione so it would be competitive. The result was the distinctive ‘Bread Van’ which is still highly competitive in today’s historic racing circles.

The No. 1 Ferrari 250 Drogo (1960) of Christophe van Riet negotiates the Chicane on its way to eighth place (Virtual Motorpix/Glen Smale)

In 1963 Ferrari launched a new GT model, the 330 LMB, also sometimes referred to as the 330 GTO.The 330 LMB used the 250 GTO chassis and body, but it was fitted with the larger 4.0-litreengine as used in the 400 Superamerica. The car was as a result longer and wider, but the much bigger engine was more than capable of handling the added weight.

Boasting a more powerful 4-litre engine, this No. 2 Ferrari 330 GTO (1963) of Carlo Vogele finished inninth place (Virtual Motorpix/Glen Smale)

The Entry List

The Lavant Cup was a 25-minute race for Ferrari GT cars that raced between 1960 and 1966. On the race card were no less than ten 250 SWBs,one250 GTO,a 250 GT Lusso, a 330 LMB and a 250 Drogo, as well as the ever-popular 250 GT SWB ‘Bread Van’.Arguably three of the most muscular looking sports racers of the era, the 250 LM, were to be seen in the paddock, but only one would actually take to the circuit. The No. 26 250 LM of Gary Pearson was not able to take to the track due to an engine issue that the team discovered after practice, and that sadly wasn’t fixable in time for the race.

This No. 10 Ferrari 250 GT Lusso (1961) of Nicholas Padmorespeeds through the Chicane on its way to seventh place (Virtual Motorpix/Glen Smale)
Unfortunately the No. 26 Ferrari 250 LM (1965) of Gary Pearson posted a DNS in the Lavant Cup (Virtual Motorpix/Glen Smale)

The Race

Rob Hall was on pole in the No. 526 250 LM with the No. 73 250 GT SWB Competizione of Emanuele Pirro alongside. Despite the 250 LM possessing a significant performance advantage over the older 250 GT SWB, it was Pirro who got away first, and led the 250 LM into Madgwick. It looked as though Pirro might head the field onto the back straight, but Hall was having none of it and quickly regained his number one spot.

Due to a technical infringement the 250 GT SWB ‘Bread Van’ had to start from the back of the grid, but this extremely fast car had a storming start, and was up to seventh by the time the field had all made it through Madgwick on the first lap. It continued to slice its way through the pack and after a couple of laps was lying third.In their eagerness to get a good start, the Nos. 7 and 21 250 GT SWBs were penalised ten seconds each for jumping the gun.

The extremely quick No. 16 Ferrari 250 GT SWB ‘Bread Van’ (1962) driven by Alexander Ames posted a finethird place overall (Virtual Motorpix/Glen Smale)

A few laps later, Rob Hall spun out onto the grass to the left in the area of St. Mary’s dip, the back of the car striking the tyre wall a glancing blow. A small amount of oil had been deposited on the track, and the Rob Hall car hit it first, and faster than anyone else. It was an excellent ‘save’ by Hall, and he guided the 250 LMsafely back onto the track almost without losing a breath, but it had slipped down the order and he was now in seventh place. During this time Pirro, always ready to pounce, took the lead in the No. 73 250 GT SWB Competizione, but before Hall’s misdemeanour with the tyre wall could have a lasting effect on the race, he had brought the 250 LM back into contention and soon retook the lead.

Emanuele Pirro waves to the crowd as he brings theNo. 73 Ferrari 250 GT SWB/C (1961) home insecond place (Virtual Motorpix/Glen Smale)

On the ninth lap, about half distance, the No. 156 Ferrari 250 GTO of Karun Chandhok suddenly locked up going down the back straight. A huge flame burst from under the car as the £30-million Ferrari performed a 360 degree spin and as Chandhok gathered himself, he somehow managed to control the car by steering it onto the grass, whereupon he exited the car very quickly. By now the flames had subsided but smoke was still coming from under the car, and as the marshals arrived, any remaining fire was quickly doused with an extinguisher. The cause was an engine failure which resulted in a hole in the block, and the escaping oil is what caught fire. Fortunately, the onboard fire extinguisher system did its job, and Chandhok was praised for his quick reactions and for keeping the car out of the way of those competitors following him. He escaped the fiery incident but was mightily disappointed that he couldn’t complete the race, and suffering no more than a melted racing boot, he also very relieved that both he and the car were safe.

Karun Chandhok negotiates the Chicane in the No. 156 Ferrari 250 GTO (1962). Sadly the car would post a DNF due to a fire (Virtual Motorpix/Glen Smale)

There were two further retirements, these being the No. 11 Ferrari 250 GT SWB driven by Ben Cussons and the No. 6 Ferrari 250 GT SWB/C of Martin O’Connell which were both out with ‘mechanical’ problems.

The No. 7 Ferrari 250 GT SWB/C (1960) of Vincent Gaye passes the crowd in the Woodcote grandstand on its way to an overallfifth place (Virtual Motorpix/Glen Smale)

While the remainder of the race went off without too much drama, this in no way infers that the racing was processional. Despite the extremely high value of these cars, the drivers did not hold back and drove their steeds with enthusiasm and commitment, sliding around corners and really pushing the cars to their limits. This is of course what the paying public had come to see, their favourite race cars being driven at full chat.

Race Results

Pirro stayed in touch with the lead 250 LM but in reality he was not going to beat the more powerful Ferrari for pace. It came then as no surprise to see Rob Hall cross the line first in the 250 LM, followed closely by Pirro in the No. 73 GT SWB/C, with the No. 16 250 GT SWB ‘Bread Van’ in third place. These top three finishers were separated by just five seconds, but the gap to the fourth place No. 14 GT SWB/C was a further thirteen seconds. To the drivers, winning is everything, but to the spectators, just seeing these prized gladiators on track was everything.

Rob Hallspeeds through the Chicane in theNo. 526 Ferrari 250 LM (1964) on his way to overall victory. In the background can be seen the second-placed car of Emanuele Pirro(Virtual Motorpix/Glen Smale)

Author’s Note

Spectators will have noted three other beautiful Ferraris were languishing in the paddock, that were not entered in the race, these being the red/white No. 8 Ferrari 250 LM, the white No. 10 250 GTO and the familiar red/blue 250 GTO/64.The fact is that none of these three cars were due to race, they were present in order to lead the field on the formation lap.

The trio of fantastic Ferraris lead the pack of competitors on the formation lap of the Royal Automobile Club Tourist Trophy race (Virtual Motorpix/Glen Smale)

The first was red/white No. 8 Ferrari 250 LM which is the ex-John Surtees, Jochen Rindt, LorenzoBandini, David Piper, Umberto Maglioli car that, among other results, came second in the 1964Reims 12 Hours in the hands of Surtees/Bandini. The next car was the white No. 10 250 GTO, this car originally being owned by John Coombs and raced in period by a Roy Salvadori, Graham Hill andJack Sears, among others. The third car in this group was the 250 GTO/64 “APB 1” in its familiar red with light blue flashes. This car was in fact the reason why Goodwood held this race, to celebrate 60 years since a Ferrari GT car won at Goodwood for the last time in period, when Graham Hill won the TT back in 1963.



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